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What I really want to know and don't like, is Marvel's creepy fixation on placing more writing quality emphasis on feminized versions of the superior male characters. Superior characters in that they are their own invention and not simply a female spin knock-off.
Examples include
Hulk - She Hulk
Wolverine - X 23
Captain Marvel - Ms Marvel
Spider-Man - Spider Woman
Can't marvel throw their talent at a female character with more originality, if that's what they are going for. For that matter DC doesn't deviate much from this pattern either.
Still those are the slogans they are most known for in general. As far as a one punch knock-out, I'd call writer favoritism on that kind of BS. While Cap is a better fighter than Wolverine due to physical enhancements in my opinion, that seems a tad overdoing it. At least without my knowledge of the subtext of the circumstances of course.
Batman and Captain America are not most known for those lines. You're right, that was overdoing it with Wolverine, but I still would have loved to see it. Now if Thor or Hercules did it----
I want these clixed: Doc Savage, Fu Manchu, Tarzan, The Shadow, The Green Hornet & Kato, Conan, Solomon Kane, The Phantom, King Kong, Universal Monsters, Black Orchid, Manhunter (Paul Kirk), Xemnu the Titan, unclixed Kirby Fourth World characters, and Lilith, Daughter Of Dracula.
You could go with 'superstitious and cowardly lot' or 'Avengers Assemble!' or ... pretty much anything involving the mainstream character rather than some alternate reality version.
If you're going alternate reality, I'd even put Michael Keaton's "'Who are you?!' - 'I'm Batman.'" and "I've got to go to work." lines as recognizable above the God #### Batman line you cited.
Quote : Originally Posted by hair10, Gentlegamer, doctorfate77, d_knight7, etc.
JacinB is right.
Quote : Originally Posted by Lore Sjöberg
Superman-based interactive entertainment products tend to be very bad, because an accurate Superman game would have one button labeled "Use Powers" and you would press it and win.
This was the beginning of the end of wolvie for me. In my heart, he'll always be that feisty canadian with gnar sideburns, a penchant for cigars and beer, the innate superhuman ability to not take #### from anyone. My wolvie doesn't say "i'm the best at what i do" he says "nuff said."
That's a great question. Another, earlier poster noted that with those guys it wasn't so annoying. Why is that?
Wolverine was created as a vaguely interesting agent of the Canadian government. Nobody really cared much. He exploded when he was envisioned as a mysterious, dangerous wild man. The foundation of his popularity has been based on these very shallow elements.
As more and more comics featuring the character have been published, inevitably, the mystery had to go away. That's gone. His origins have been hinted at, slowly revealed, expanded on, revised, expanded on again, and essentially done to death. Sure, Marvel can attempt to regain some of that mystery. All they have to do is add more elements to his origin we, once again, didn't know about. If you read about the character for a few years, this gets old fast.
I think you’ve hit upon an important point (sorry for not quoting the whole post, it's all good stuff), one of the two things I don’t care for in a lot of contemporary comic writing:
1) The lazy writing that is bred by the ‘untold secret origin.’
Claremont’s Wolverine and his mysterious past pioneered this. It used to be cool that we knew nothing about Wolverine. As you said, over time the ‘sedimentation’ of writers adding to his origin put the onus on new writers who needed to invent other, untold aspects of Wolverine to match the cool factor associated with revealing previous, untold aspects of Wolverine. This works once in awhile, but in my mind, when writers (and not only of Wolverine) rely too much on this it becomes a crutch. It’s essentially an implicit admission that they need to rewrite a character (at least in part) in order to make them a character the writer can move forward with. The lost art of comic writing, in my mind, is to take someone else’s character as it is, warts and all, and move him or her forward in a direction you want to go. Quesada’s toadying to retcon-happy writers has NOT helped to cultivate this much-neglected skill.
2) The fanboy dialogue.
In Days of Old, comic writing was often criticized in the mainstream culture for its unrealistically stiff, heroic dialogue (think Adam West’s Batman calling Robin ‘old friend’ all the time). For me, the pendulum has now swung too far the other way. Every character now talks in the flip clichés and snappy patter (or if you’re Bendis, even thinks in flip clichés and snappy patter) that every fanboy wishes they could talk in at some point in their lives to tell somebody off or come across as ‘uber-cool.’ Just about every line of dialogue in the Ultimates 3 miniseries up to this point (heck, the entire Ultimate universe) falls in this category. Other writers specialize in ‘hard-boiled’ dialogue or ‘insultingly superior’ dialogue for all their characters (and yes, I’m thinking of specific authors, but I won’t name them as I’ll probably be getting enough heat for this post already…). It works for some characters (Spider-Man has always done this), but can become another crutch for writers if it replaces varied, character-specific patterns of speaking.
In short, I find both of these problems, in essence, boil down to violations of the old rule of ‘everything in moderation,’ and that’s the problem with Wolverine. He was cooler when he was the only hard-boiled, cliché-spouting, get-the-job-done-whatever-the-cost, I’ve got an untold secret origin that’ll blow your socks off character; now he’s just the first among far too many equals in this mold.
But that’s just my take. Principled disagreement is welcome, as always.
You could go with 'superstitious and cowardly lot' or 'Avengers Assemble!' or ... pretty much anything involving the mainstream character rather than some alternate reality version.
If you're going alternate reality, I'd even put Michael Keaton's "'Who are you?!' - 'I'm Batman.'" and "I've got to go to work." lines as recognizable above the God #### Batman line you cited.
I can buy the 616 "Avengers Assemble" whatever philosophical meaning that has.
Who are you? I'm Batman, the GD Batman, Batman damnit. Semantics, all the same, I still think I at least picked that one correctly. "To the batcave" sounds more like the TV show version.
Wolverine is the only person to take out the Hulk single handedly while taking out Wendigo, how many other super heroes can do that. Not to mention he has been kick butt since before Captain America was born. Bottom line is Wolverine is the epitome of the word warrior and every writer in Marvel and DC would write him the same way. The only bad thing about him is he talks to much lately.